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Sunday, October 5, 2008

Drawing Conclusions 1997


watercolor over black toner xerographic reproduction of black India ink on paper, 21.59 x 27.94 cm (8.5 x 11 in.)

A new year - time for a refresh of my biography for the Disneyland watch shop.

A fantasy featuring me fighting with the eraser end of a No. 2 pencil, against a terrible beast.

The beheaded stuffed bear, which also appears in the first version of Drawing Conclusions, represents the one I received an as infant from my uncle. Although missing his nose, the real one's head remains intact.

The Cast-Members of the New Century Timepieces shop, who were responsible for assembling the watches, had a collected affection for Walt Disney's Alice in Wonderland. Picking up on that vibe, I would start to sneak in baby oysters in some of my art. Here is one as the bullet for the last paragraph.

The monster (blue bear thing, bottom right) in the Art of Walt Disney cover Mickey pose is of the BackStage comic design, my alter ego.

Drawing Conclusions 1996


watercolor over black toner reproduction of black India ink on paper, 21.59 x 27.94 cm (8.5 x 11 in)

Some months into the next year, I decided to update or refresh my biography for the Original Artist Watch program at Disneyland.

The title box, as established in the first version, contains a caricature of my blue monster character, a caricature of a licensed character representing my current employer, and two other things representing personal interests (here, space ships and dinosaurs!).

Due to it's autobiographical nature, I made the point of view of the drawings in such a way as to show what I might be seeing. I tried to hide my face for that reason. This is similar to "first-person" shooter video games.

Panel 6: That's the blue vest and white paper hat of the cast-member costume of the French Market Restaurant, New Orleans Square, Disneyland.

Panel 7: This line up of characters from my comic BackStage made for my Disneyland co-cast-members. I drew animals which represented my friends, crittercatures I called them, which would be the inspiration of those in my TAGS comic strip. (L-R) Bald eagle (David Crane), Dragon (Michael Supancheck), Tabby cat (Wendy Maimbourg), Box Terrier (Mark Driggers), Cheetah and Red squirrel (Paul and Diana Okamura), Penguin (Dee Polinsky), Turtle (Richard Brill), Striped skunk (Ron Nakada), African Lion and Swan (Leo and Barbie Rodriguez), Seagull (Suzanne Palmiter).

Panels 8-10: My work station never looked like this, but it communicates the idea. To my left in the Belle model sheet, 'cause I enjoyed Beauty and the Beast so much. To my far right, "Squash / Stretch" the basic tenants to more lively caricatured drawings in animation. The three others, Mickey, Quizimodo and a dalmatian puppy stuff I've been drawing at work.

Drawing Conclusions 1995



a: Black India ink on paper, 21.59 x 27.94 cm (8.5 x 11 in.)
b: Water color over black toner xerographic reproduction, color xerographic reproduction, 21.59 x 27.94 cm

This I tell people, my first job as an artist was as a character artist working in the New Century Timepieces shop on Main Street, U.S.A., Disneyland, California. This of course, does not include odd and random paid assignments to design tee-shirts for teams, draw caricatures for special occasions or paint signs. It was my first "show up at this time" regular paycheck for drawing.

I started in 1995, which was less than a year after having earned an associates of arts (AA) degree in Art, Advertising Design from Cypress Community College*. The program itself was less than 6 months old when I heard about it from my theme parks connections - at the time I had already quit working in theme park restaurants because, with degree in hand, I was pursuing my career path of art, i.e. doing page layouts with Pagemaker® for a community newspaper. The position at Disneyland required the artist to create original Disney Character art to order, which would then be reproduced for the face of a wrist watch.

Although it wasn't necessary to do so, I re-applied for a job for weekend work at Disneyland, restaurants again (Bengal Barbecue, Adventureland), which was the excuse to spend gas money to continually submit art in hopes that an opening would allow me an artist position in the watch program.

I got hired because the program lost two artist and sumer was approaching.

Now, getting to the point...

Each artist is asked to write her/his biography. These weren't artist's statements describing artistic intents, high-minded or other. These were short biographies displayed to inform guests of whom was sitting within the store's windows. It was also, I'm sure, an additional document adding value to the package of the original art, watch and certificate of authenticity.

Above is my first biography, which for no other reason than to be different and because it interested me to do so, is written as a 12-panel comic strip.


*Yes, I've only a AA degree from a junior college. Everything else is hard work - well, as hard as scribbling can be.

Sunday, September 28, 2008

Girl Trouble





a: Supergirl & Gorilla Grodd, red ball-point pen ink and black marker on paper, 8.5 x 11.0 in.
b: Supergirl & Brainiac Five, red ball-point pen ink and black marker on paper, 7.0 x 7.0 in.

I drew a couple of set ups featuring DC's maid of might in my sketchbook. In part, further refining an animation friendly style; in other part, playing with some new markers, Faber-Castell PITT artist pens with the soft "B" nibs. They sort of act like a small round brush.

I often revisit the early 1970's costume with the V-neck, puffy sleeve blouse and red shorts, or an allusion to it (a). I favor a skirt over shorts or hot-pants. Skirts and capes ought to look good on a flying figure in animation. On that thought, animation design probably favors a large chest emblem (b) of the original 1960's costume. But then again, thinking how Superman's "S" has poorly tracked and flickered in animation, maybe the small patch is the way to go, cheating with a red triangle for the in-betweens. Current animation styles would lead me to think that this broken or implied line style is not animation friendly. If so, I say that computer colorists are lazy.

I don't draw a lot of gorillas (a). I have neither figured out Brainiac Five (b), nor subsequently the Legion of Superheroes quite yet. I have, however, decided that his time traveling disguise is student, Brian Pfeiffer.

Supergirl, Gorilla Grodd, Brainiac Five, Legion of Superheroes © DC Comics

Saturday, September 27, 2008

Stitch in Time



I got distracted with an attempt to re-dress a Barbie doll in a Tuff-Girl costume.

I only got as far as what you set here - fishnet stockings.

I canibalized material from old shirts and mesh from a soft-sided lunch box. The patterns were home-made, extrapolated from swatches of material wrapped around my model's legs for prototypes. The mesh material wasn't so much stitched together as tied and glued together.

The legs of the finished product are a bit uneven and a bit undersized, because the prototype was stretchy and the mesh not so much. This makes me suspect that once they're pulled on to the model (IF they can be pulled on), I should plan to leave them be, and hope that the boots fit around the stocking legs.

I had hoped that she would be in full costume to ride atop my radio-controlled car for the race (more on the race in a separate article). But alas, three nights for me who's unexperienced with pattern making and and novice with sewing was too little time.

Ultimately, I plan to develop my patterns and include them as supplemental material in my comic book, Unstoppable Tuff-Girl. I could also have a 12" Tuff-Girl perched at my booth/table as I make my comic convention rounds.

First things are first - I need to draw a couple of stories.

And that's my cue...


"Barbie" copyright Mattel.

Thursday, September 11, 2008

TAGS June 17 & 18, 1993



6/17: Monster in black.
6/18: Wait, there's an ongoing ball-game?

When I was self publishing my "zine," Monotony, the strips were issued in pairs, just like on this blog. "Ah," I can hear, NOW you get it. This had allowed me to tell the story which forked into Monster's sub-conscious (6/17) and un-conscious Monster. This story-telling device would inspire newspaper strip idea yet to be realized.

"Squidge," isn't that a funny word?

In order of appearance (6/18): Murray (cheetah), Monster (monster), Nick (striped skunk, so practical), Edie (red squirrel, I like her plain spoken grasp of real world conditions), Polly (penguin), Barron (stuffed bear), Wednesdae (ermine, is that right? I should check my files), Checkov (dragon, so keeping the fun going). All in all, pretty much TAGS' core characters.

Dive Bomb


Red Col-erase pencil and black ball-point pen ink on paper.
sketchbook drawings, 22.9 cm x 27.9cm (9in x 11in)

Cartoony Tuff-Girl in a possible pose for a cover image. If my faux Caniff (Terry and the Pirates) style starts to get stiff with the posing, I'll switch to a pseudo Chic Young (Blondie) style. It's usually a style that's more fun to draw.

On the bottom left a creature design >blech<, and a couple of thugs, Doug Davidson and Jack "Bug" Jefferson. They're pretty much my Rosencrans and Guildensterns (Hamlet, Wm. Shakespeare) of Tuff-Girl. Tuff-Girl's rogues gallery of adversaries will change per feature, but Doug and Bug will pop up as hired help.

Saturday, September 6, 2008

Who Said That?

I assembled this, what I'd describe either as a parlor game or personality test, and perhaps a mix of both. It's sixteen (16) statements that invite opinionated responses from the participant.

Gather a small group of people, each of whom fills out copies of the sheet. Then the host gathers the sheets and reads off each item, asking the group, "Who said that?"

Play becomes tricky whether or not you keep score, because any given member is going to be presented with the item to which she/he knows who said that - she/he did. To avoid the giveaway, "I said that," they had to tell misleading guesses.

I had put this together for our illustration group at Cartoon Network, so the topics cover cartoons, comics and television.

- - - - - - - - - -

1/ Name of a celebrity popular with everybody except by you:

2/ Pick one of the following:
- Circle
- Square
- Heart
- Diamond
- Doughnut
- Bean

3/ Hanna-Barbera character(s) most deserving of a second career:

4/ Favorite television series to run at least one (1) season in black and white:

5/ This televised commercial advertisement made me laugh:

6/ Pick one of the following:
- Prime
- Uno
- Alpha
- Standard
- Ichi
- A

7/ This televised commercial advertisement is stupid:

8/ Topping, condiment, seasoning or sauce I most heartily recommend:

9/ Rhymes with "A":

10/ Pick one of the following:
- Cellophane Tape
- White Glue
- Paper Clip
- Rubber Band
- Binder Clip
- Staple

11/ Character in a comic book I most relate to:

12/ Somebody please cancel this television series:

13/ Name of an artistic or creative person not in the visual arts who has inspired me:

14/ Pick one of the following:
- Club
- Gun
- Knife
- Noose
- Hemlocke
- Dynamite

15/ The most iconic, fictitious object I can think of:

16/ Television series, stage play of motion picture that would have been greatly improved with the addition of singing bears:

= = = = = = = = = =

My favorite is #14. Actually No's 2, 6, 10, and 14 are curious because the directives don't state by what criteria you are suppose to choose from the lists. Could it be your favorite, the most lyrical sounding or is it a matter of random choice? Part of the game is to find out why people said what they did.

#16 is my second favorite because it's so goofy. There's a part of me that wants to see singing bears in everything.


I SAID THAT
1/ Julia Roberts - 2/ Square - 3/ Yakky Doodle - 4/ I Love Lucy - 5/ TBS's The Lord of the Rings promotion set to "Secret Lovers" - 6/ Alpha - 7/ Hardee's/ Carl's Jr. featuring Paris Hilton - 8/ Whipped Cream - 9/ May - 10/ Binder Clip - 11/ Clark Kent - 12/ Lost - 13/ Duff "Ace of Cakes" Goldman - 14/ Kryptonite - 16/ A.I.: Artificial Intelligence

Monday, September 1, 2008

Mix Me Something New


CD cover.
Illustration: "Looking Good," 1950, Gil Elvgren

One of the things I enjoy about down loading music is finding tunes from television commercials advertisements. Google make it even easier.

Here is a list that I put together on a CD:

1. Jerk It Out - Caesars - Paper Tigers
Apple iPod Shuffle (2005)
2. Let Me Take Your Photo - The Speedies - You Need Pop
HP Printers (2005)
3. Feed It (A Place In the Sun) - The Candyskins - Feed It - EP
Lays (2006)
4. Beautiful Life - Fisher - The Lovely Years
Toyota (2005)
5. Anticipation - Carly Simon - Carly Simon: Clouds in My Coffee 1965-1995
Heinz Ketchup (c. 1975)
6. Pink Moon - Nick Drake - Pink Moon
Volkswagen Cabrio (2000)
7. Say Something New - The Concretes - The Concretes
Target (2005)
8. Our Country - John Mellencamp - Freedom's Road
Chevrolet Silverado (2006)
9. Yellow - Coldplay - Parachutes
ABC (2000)
10. No Sleep Tonight - The Faders - No Sleep Tonight - Single
Cingular ROKR (2005)
11. Starry Eyed Surprise - Oakenfold - Bunkka
Diet Coke (2005)
12. Heartbeats - José González - Veneer
Sony Bravia (2004)
13. Nth Degree - Morningwood - Morningwood
Mercury (2006)
14. Mah Nà Mah Nà - Piero Umiliani - Mah Nà Mah Nà (Vulcanology.It Remixes)
Dr. Pepper Diet Cherry Vanilla (2006)
15. Such Great Heights - Iron & Wine - Such Great Heights - EP
M&M"s (2005)
16. I Melt with You - Modern English - The Best of '80s Pop: Party Songs
Burger King (1999)
17. Half Acre - Hem - Rabbit Songs
Liberty Mutual (2006)
18. Catch My Disease - Ben Lee - Awake Is the New Sleep
Dell Computers (2006)
19. Big Yellow Taxi - Joni Mitchell - Dreamland

That last track is a not so subtle commentary on consumerism, although I'm pretty sure somebody has used it in a television commercial ad, for the irony or not.

For my research, the site "What's That Called?" has been helpful and fun. It features music used in USA commercials including video content.
http://www.whatsthatcalled.com

Firebrand was a fun site to checkout entertaining ads, but now it's closed.

TAGS June 7 & 8, 1993



6/7: Guy (dalmatian) tags Monster with the impromptu nickname "skids." The name wouldn't stick. Probably because there wouldn't be much more inter-play between the two. Polly (penguin) walks through. What’s that bump off of Monster shoulder in panel 2? Hmnn...

6/8: Hans (Fox, off-stage) at bat, Shirley (doe, off-stage) pitching, Nick (striped skunk, off-stage) runner, Monster (monster) third base. I wonder now if I kept reoccuring players consistent to their teams. You don't often see text crossing panel gutters in newspaper strips. I suppose there was a tradition to allow newspaper publishers the flexibility of stretching and compressing strips to accommodate their layouts.

Regarding the logo design, it is pretty much the shape and style of the Disneyland cast member name tags. For a long time, they were pretty plain: white fronts and red pin backs. When the letters were engraved, the red would be revealed.