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Saturday, January 6, 2018

monstergram7 Best 9 of 2017


Here are the best/ top 9 liked posts in  2017 on my Instagram feed, @monstergram7, as tallied and posted on said Instagram in early December (because I wasn’t expecting the stats to change over the holidays).

Read more about each of the nine on the following blog posts:

Jack Sparrow (as a woman)

Thank you for following and liking.

Bryan

Lilo-Go-Round


The Disney animated feature Lilo and Stitch celebrated it’s 15th anniversary last year!

I drew this in response. Thinking that Lilo’s big sister Nani doesn’t receive her fair share of the product spotlight, I made sure that she was involved.

With a lot these sketches, there hangs a “maybe one day” as in “maybe one day I’ll throw color on this.” For now I’m busy with other things.

Black ink and carmine red pencil on paper.
21.6 cm x 27.9 cm (8.50 in. x 11.00 in.)

LILO, NANI and STITCH © and TM Disney.

A Drawer of Aurora



In this sketchbook drawing of the Princess Aurora, I wanted to capture some of the design elements that legendary Disney animator and Imagineer Marc Davis put into his designs of the Princess. Perhaps most Disney fans haven’t picked this up when they visit the Parks and Disney Stores and see Aurora on sweat shirt and etc., but as a Consumer Products staff artist, I’m not called upon to draw Aurora like Mr. Davis did, but to go with a more flowing style and a fantastic, puffy skirt (glitter optional). For better or for worse.

That said, I feel that every once and while, it’s good to go back to the original stuff, if a bit humbling.

Ink and red pencil on paper.
15.24 cm x 22.23 cm (6.00 in. x 8.75 in.).
AURORA © and TM Disney.

A Little Mischief



If Pocahontas’s name loosely translates in to the English “Little Mischief,” then why don’t we see more of that in her own Disney film? Obviously, depicting that side of her personality wasn’t the intent of the filmmakers.

As another fun sketch of another Disney Princess, I considered what haven’t I drawn this girl do. Honestly, I’m not called upon to drawn Pocahontas very much in the first place. How about I just make her be happy? And without that scene-stealing, self-absorbed Meeko.

Black Ink and Carmine red pencil on paper.
21.6 cm x 27.9 cm (8.50 in. x 11.00 in.)
POCAHONTAS and FLIT © and TM Disney.

Needs Salt



I can always count on a bounty of interesting ideas to flow through my What Shall I Draw Today? session. For example this one: Remy from Disney/ Pixar’s Ratatouille meets Winston from the Disney short Feast. It’s all about food, right?

Artist’s tip: you can always unify disparate styled things in a different other style. Meaning, you need not try to recreate Winston to look like he’s in Remy’s CGI world, nor vice-versa.

So what has Remy cooked up that interests Winston so much? It’s a meat ball, but fancy meatball. It’s quick and easy story telling. I try not to overthink things in a WSIDT session.

Black ink and color pencil on Bristol Board.
17.78 cm x 12.70 cm (7.00 in. x 5.00 in.).


REMY © and TM Disney/ Pixar. WINSTON © and TM Disney.

Washed and Wary


I would think that all artist of all mediums, seek to do something different than what they’ve done previously. If that’s true, then it should be of no surprise that when drawing the Disney Princess, as I now do as a Disney staff character artist, given the chance I begin with the notion, “What haven’t I drawn this girl do before?”

I’ve neven drawn Mulan from that scene in the movie where she washes a day’s filth off in the river – with disapproving Mushu nearby. Not until this summer. You’re welcome.
Black ink and color pencil on Bristol Board.
22.86 cm x 30.48 cm (9.00 in. x 12.00 in.)

MULAN and MUSHU © and TM Disney.

Sea and Be Seen




As suggested during one of last year’s What Shall I Draw Today? sessions, I depict the fictitious event of Moana meeting Ariel. What might they have in common? They both love the sea don’t they? They both have fathers who are rulers of their respective kingdoms/ tribes who have strict rules on how their daughters should behave.

Yeah, go with something sea-themed.

Black ink and color pencil on Bristol Board.
12.7 cm x 17.8 cm (5.00 in. x 7.00 in.).
MOANA and ARIEL © and TM Disney.

Quinney Con Harley

Harley Quinn (Suicide Squad (2016)) juggling a few lit bombs. She’s dangerous enough without the bombs.

Some times during a comic convention, especially on a Sunday, I don’t have much to do other than draw any thing I want. The caveat is that in the end I’ll have a drawing that I’ll hopefully want to sell.  Alternatively, it will be a drawing that I hope some will want to buy. So “any thing” ends up narrowed to a short list of things that I sold in the past. Harley Quinn, in all her costume iterations, has always been on the short list since I’ve been doing comic conventions.

The juggling comes in because, at the time, why not?

Black ink and color pencil on Bristol Board.
22.86 cm x 30.48 cm (9.00 in. x 12.00 in.)
Harley Quinn © and TM DC Comics.

Jaqueline Sparrow

Captain Jack Sparrow from Disney’s Pirates of the Caribbean movie series – as a woman? Of course that idea came in during one of last year’s What Shall I Draw Today sessions.

The transformation happens mostly in the face and longer hair, having chosen not to make her overly busty. All of the accessories, jewelry and costume props are taken form Sparrow’s look in the first “Pirates” movie.

Maybe the next movie should eschew the Jack Sparrow story lines and tell story about a female captain?

Black ink and color pencil on Bristol Board.
6.35 cm x 8.89 cm (2.50 in. x 3.50 in.).

Monday, December 4, 2017

UTG 3 - Update

Unstoppable Tuff-Girl, vol. 2, No. 3
Cover.
The third issue of Unstoppable Tuff-Girl is just a bit over 70% done. The independently created and independently to be published comic has been in production for over 15 months.

To all of our fans and followers who have been anxiously waiting for the follow up to the 2010 issue #2, we thank you for your extraordinary patience and support. Co-creator, Merrill Hagan and I especially thank you if we met you this year at WonderCon-Anaheim, Heroes Convention-Charlotte and/or Long Beach Comic Con where we had announced that issue number 3 was “almost done.” Don’t blame Merrill, however, the delay is all my responsibility.

A dummy layout from front cover (top, left) in order left-to-right, top-to-bottom.
Laid out to represent 2-page spreads unbroken.
Inked and lettered pages in red.
Pages to be completed in gray.
For graph-lovers, a progress bar of the 52 pages.
If you’ve been a recent follower of my Instagram feed, @monstergram7, then you may have noticed that since October, there has been an increased postings of art from issue 3 and you may have gleaned that there has been a renewed push in the production of the book. Will that be enough to complete the book in 2017? The math of 15 pages in 27 days around the holidays and measured against my highest production rate says “unlikely.” But I’m not giving up.

I’ve certainly learned a thing or two in the last year+.

#1 – 48 Pages Is a Lot More Work Than 36 Pages. The interior page count is 48 with 4 more added with the cover, equalling 52 actual pages to be laid out and completed. The 50% increase was wholly a decision to reward our eager fans for the six-year wait. It turned out that four months producing 36-page issue #1 didn’t extrapolate well to 6-months projected for 48-new pages.

#2 – Time Management Does Not Scale Up. As a self-initiated project produced entirely outside of a 40-hour-a-week full time job, what happens scheduling-wise is other things get pushed aside or delayed to make room for this project. Projects done over a few days can be completed in this way fairly easily. As more time is required, eventually the delayed things cannot be delayed any longer.

#3 – Things Postponed Eventually Need To Be Done. Bills need to be paid. Things need to be cleaned and repaired. Cons need to be planned and attended (if it’s part of your marketing). And don’t forget that sleep need to be gotten. As time goes on, I cannot rely on all-nighters. All-nighters are certainly not something you want to pack into your production schedule of, say, more than three-months. In my case, after four months and certainly by April, after WonderCon, I was pooped and No. 3 just was’t going to be willed to quick completion.

#4 – Expect the Unexpected. In the back of your mind you know anything could happen to upset your plans, but you mostly hope that they are tiny anythings. For me, I had to deal with installing new floors in my condo.

The hiccoughs: a) as described above, I had three comic conventions where we had a table to offer our product. In each case they’re demanding attention for 3-4 weeks, in total that’s 9-12 weeks not working on the book; b) at least four, non Tuff-Girl art projects, two of which for Disney (the day job); c) Instagram, which has been a great boost in my meager marketing plans, but at the same time much of those relatively quick sketches have not necessarily been “working on the book”; and d) the unavoidable birthdays and holidays and an unexpected wedding.


For those wondering, the cover story featuring Merrill’s One-Armed Bandit adventure, is one of the stories still in production. The Wichita two-part story is also in production and reads better as two-in-one-book rather than breaking it up across two books. They being cover stories, and for other reasons, I had decided to have No. 3 be the planned 48-pages, and not scale down to say 36 pages.

Thank you again for your interest and patience. I’ll post an update in January, when I hope to have a definite print date.

–Bryan.